Ferrari-Carano Trésor

Marco Sassone's original serigraph, Tramonto, 1993 is featured on the label of Ferrari-Carano's special release Trésor. This limited release wine is a blend of five Bordeaux varietals and is available online from the Ferrari-Carano website.

Tramonto, 1993 is available in a limited edition of 100, plus 10 Artist's Proofs and 10 impressions numbered in Roman Numerals. Tramonto is hand printed on Coventry rag paper in 95 colors, numbered and signed in pencil. This edition is available exclusively from the Marco Sassone Studio.

The image size is 30" x 36"

$2500.00
Please contact the studio directly for more information

From the Archives

The artist, center, in a group picture, 1960, Italy.

Serigraphs on the Web

Marco Sassone Studio has published and distributed the artist’s original prints in limited edition from 1975 to present. The prints were created by the artist in collaboration with selected master printers.

Chapel at Tiburon, 1987 33 x 26 ©Marco Sassone

We have received many complaints from clients who have purchased prints online, at reduced prices. Often, these prints are defective, damaged, unsigned, or even reproductions passed off as original prints. Please be wary, and do your research before you buy.

These problems can be avoided by contacting dealers authorized by the artist, such as Pasquale Iannetti Art Galleries, or by contacting the Studio directly. The Marco Sassone Studio can often locate pieces that are rare or sold out.

Marco Sassone: Toronto

Consul General of Italy Veronica Ferrucci and Consul General of the United States Claudia Baker are attending the reception for artist Marco Sassone at Odon Wagner Contemporary, Thursday April 3 from 6 to 9 pm. Also attending the opening are representatives from Toronto City Hall.

This new series of work, Toronto, portrays the urban landscape of the city that first engaged the artist’s imagination when he moved here from California. Attracted always by space Sassone paints these cityscapes from high-rise vantage points and from a street perspective, characterized by converging lines that visually pull the viewer into the work. Jonathan Goodman, art critic for Art in America, writes for the exhibition catalogue, “The painter remains a visionary, describing tall buildings and merging highways as he forges a rapport with Toronto. Sassone is profoundly interested in rendering a nearly mythic ambience, whose experience borders on the sublime.”